Post by Dylan
Seeing that New Year’s Eve is tomorrow, I figured that an article should be written about setting up writing goals in the New Year. As soon as that ball drops most people make resolutions for what they are going to do in the year to come. Some common resolutions are to hit the gym, eat healthier, spend more time with the wife/ husband and kids, etc. Those are great goals, but as writers I think there are some different things we should strive for.
My New Year’s Resolutions for writing is to finish my current novel by the end of January. Also, I wish to write an entire rough draft for a companion novel in seven months, that’s fast for me, as well as compete in NaNoWriMo.
The way I see it, it’s go big or go home with these writing resolutions. Aim for the stars when you’re setting your goals; reality is tough enough already so you don’t need to settle when creating goals. It might sound a bit cliché to say this but, if there’s a will there’s a way. And you have to get that will first by setting high goals. If you can’t reach your goals, so what! You will get more accomplished in not reaching your extreme goals then you ever will by accomplishing your mediocre goals.
So, together let’s make 2012 the most successful year in Northern Colorado Writers history. Let’s all strive for our seemingly unreachable goals and crank out those words, sentences and paragraphs. I know that all of us can reach our goals, no matter how hard they seem. This year, go against the grain and make writing part of your New Year’s resolutions!
What are your writing resolutions?
Dylan is a writer and a sophomore at Erie High School.
Friday, December 30, 2011
Thursday, December 29, 2011
It's All in How You Play The Game
Post by Kerrie
For Christmas I got my family, Rayman Origins, a video game we could play together. After opening presents and enjoying a nice breakfast on Christmas morning, my husband and I and our two teenagers arranged ourselves in front of the t.v. to play our new game. For four hours, we sat there helping Rayman and his friends fight off crazy looking creatures, free trapped fairies, and collect gold coins. Then after dinner we played again for a couple more hours.
Even now, almost a week later, it continues to have a hold on us, as we play at least an hour or two each evening. So what is it about this game that draws us back day after day? As I thought about it, I realized it has to do with unlocking something new after we defeat a level and collect a certain amount of coins. We like the idea of exploring a place we haven't been to before, so there is always a carrot dangling out there in front of us. Because once we explore this new place, then another one opens up, then another and it just keeps going.
Looking back at my 14-year writing career, I would say these are some of the same reasons I have stuck with writing for this long and why I look forward to continuing with it.
When I first started out I had no idea what I was doing or where I was going (just like with our video game). I had come up with an idea for a children's picture book and wanted to get it published. I tried the traditional route and when that became a dead end, I went the self-publishing route. I collected many "gold coins" along the way by meeting lots of people and gaining new knowledge of this area of publishing.
Once I reached a certain level of understanding, another door opened and I was introduced to a critique group (which I am still a part of). This multi-genre group of writers opened my eyes to many new aspects of writing, but the one that grabbed a hold was writing for magazines. This new door opened and I ventured in to explore. I felt like I was in a foreign land and everyone spoke a foreign language. But I hung out there, collected more "gold coins" and eventually enjoyed the success of publishing articles in a variety of different magazines.
My success here, led to more doors opening and new levels to the "game" and throughout my 14 years it has worked out this way. I enter into an area I know nothing about, collect the knowledge I need through classes, books and conferences. I meet new people along the way and then find another new area to explore. This is what keeps me in the game; the idea that there is always something new to learn.
These days with digital publishing, social media, the Internet and new developments with technology it feels like more than just a new level I need to master, but it feels like a whole new game. But, as I have done in the past decade with my writing and I am doing now with the Rayman video game, I will stick with it, collect all the gold coins I can and look forward to where it will take me.
What "level" are you exploring now with your writing (essays, mystery writing, marketing...)? How is it going so far?
.
For Christmas I got my family, Rayman Origins, a video game we could play together. After opening presents and enjoying a nice breakfast on Christmas morning, my husband and I and our two teenagers arranged ourselves in front of the t.v. to play our new game. For four hours, we sat there helping Rayman and his friends fight off crazy looking creatures, free trapped fairies, and collect gold coins. Then after dinner we played again for a couple more hours.
Even now, almost a week later, it continues to have a hold on us, as we play at least an hour or two each evening. So what is it about this game that draws us back day after day? As I thought about it, I realized it has to do with unlocking something new after we defeat a level and collect a certain amount of coins. We like the idea of exploring a place we haven't been to before, so there is always a carrot dangling out there in front of us. Because once we explore this new place, then another one opens up, then another and it just keeps going.
Looking back at my 14-year writing career, I would say these are some of the same reasons I have stuck with writing for this long and why I look forward to continuing with it.
When I first started out I had no idea what I was doing or where I was going (just like with our video game). I had come up with an idea for a children's picture book and wanted to get it published. I tried the traditional route and when that became a dead end, I went the self-publishing route. I collected many "gold coins" along the way by meeting lots of people and gaining new knowledge of this area of publishing.Once I reached a certain level of understanding, another door opened and I was introduced to a critique group (which I am still a part of). This multi-genre group of writers opened my eyes to many new aspects of writing, but the one that grabbed a hold was writing for magazines. This new door opened and I ventured in to explore. I felt like I was in a foreign land and everyone spoke a foreign language. But I hung out there, collected more "gold coins" and eventually enjoyed the success of publishing articles in a variety of different magazines.
My success here, led to more doors opening and new levels to the "game" and throughout my 14 years it has worked out this way. I enter into an area I know nothing about, collect the knowledge I need through classes, books and conferences. I meet new people along the way and then find another new area to explore. This is what keeps me in the game; the idea that there is always something new to learn.
These days with digital publishing, social media, the Internet and new developments with technology it feels like more than just a new level I need to master, but it feels like a whole new game. But, as I have done in the past decade with my writing and I am doing now with the Rayman video game, I will stick with it, collect all the gold coins I can and look forward to where it will take me.
What "level" are you exploring now with your writing (essays, mystery writing, marketing...)? How is it going so far?
.
Monday, December 26, 2011
Last Monday Book: Off the Page
Post by JennyI find myself in a state of disbelief that this is my final Last Monday Book post of the year, but seeing as how next Monday is January 2, it must be true. I’ve enjoyed exploring several new-to-me writing books and hope you have found something useful in these posts. This week’s book—Off the Page: Writers Talk About Beginnings, Endings, and Everything In-Between, by Carole Burns—seemed an appropriate title for this month when we are simultaneously bringing the old year to a close and plotting great things for the new one.
The book compiles many of the interviews author/editor Carole Burns conducted for washingtonpost.com’s “Off the Page,” The Washington Post’s online literary chat show. From the preface: “The combination of the freewheeling nature of the online world and the serious tone of the questions both loosened up authors and gave them the time and inclination to provide thoughtful answers.”
The informal format makes for a very fun read. Every page offers nuggets of wisdom, of inspiration, of decisions that might have been made differently, of celebration…and frustration. Reading the contributors’ thoughts on subjects such as "Haven’t I Seen You Somewhere Before? How Characters Come To Life" and "All That Jazz: Playing with Language and Style to Suit the Story" very much feels like sitting around a table listening to famous writers talk about their art over cappuccinos or greasy pub food.
General inspiration aside, what I found most helpful about the book was seeing that there is no right way to write. Sure, there are rules to follow, but the process can be as personal and unique as everyone who has ever sat down and said, “I want to be a writer.” If it works for you, do it, and don’t let anyone tell you you’re doing it wrong. And keep doing it. In the final chapter, Richard Bausch writes: “…there’s only one question to ask yourself every day: ‘Did you write today?’ if the answer’s yes, it’s the only question you have to ask.” If the answer’s no, then I imagine the next question should be “why not?”
Now it’s time for me to finish up the last few items on my Christmas to-do list. (Yes, I know Christmas was yesterday. It’s a blogging time-warp.) I hope everyone is having a wonderful holiday season, and I thank you all for spending time with me this year!
Wednesday, December 21, 2011
Shepherding Your Writing (revisited)
Repost by Kerrie
In honor of Christmas only 4 days away, here is a rerun from last year.
At church recently, the pastor was talking to us about the shepherds in the Christmas story; how they were going about their usual shepherding tasks when all of a sudden an angel appeared and changed their lives forever:
Luke 10And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people.11For unto you is born this day in the city of David a Saviour, which is Christ the Lord.
After hearing the message and getting over the initial shock of what just happened, they decided to set out on a journey to Bethlehem to see for themselves what the angel was talking about.The pastor went on to illustrate how we can learn from the shepherds and relate this to our lives today and of course it made me think of writing. Here are the three points he shared:
We must learn to:
1. Face our fears.
For the shepherds this meant dealing with angels popping up out of nowhere. For us as writers our fears are the blank page/screen, rejection of our writing by editors/agents, and harsh judgment of our work. But if we let these fears paralyze us, we will never find what we are looking for.
2. Determine what it is we are looking for
The shepherds knew they were heading to Bethlehem to find a baby wrapped in swaddling clothes, lying in a manger. They had direction and purpose. As writers we too must figure out what we are looking for. Is it publication? Writing a bestseller? Sharing information about a cause regardless of the pay? Making a living as a freelancer? Writing a memoir for family members? Whatever your goal is doesn't matter. But if we don't, figure out a goal, we end up frustrated and lost because we have no direction.
3. Be people of action
The shepherds did not sit around and talk about how great it would be if they went to find the baby. They got up and did it. I come across so many people who talk about wanting to write, but that is as far as they get-talking about it. Being a writer means you have to do one thing and that is write. Whether you set aside 30 minutes a day or few hours a day it doesn't matter, you just have to take action and put pen to paper or fingers to keyboard.
Do you know what you are looking for with your writing?
.
In honor of Christmas only 4 days away, here is a rerun from last year.
Luke 10And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people.11For unto you is born this day in the city of David a Saviour, which is Christ the Lord.
After hearing the message and getting over the initial shock of what just happened, they decided to set out on a journey to Bethlehem to see for themselves what the angel was talking about.The pastor went on to illustrate how we can learn from the shepherds and relate this to our lives today and of course it made me think of writing. Here are the three points he shared:
We must learn to:
1. Face our fears.
For the shepherds this meant dealing with angels popping up out of nowhere. For us as writers our fears are the blank page/screen, rejection of our writing by editors/agents, and harsh judgment of our work. But if we let these fears paralyze us, we will never find what we are looking for.
2. Determine what it is we are looking for
The shepherds knew they were heading to Bethlehem to find a baby wrapped in swaddling clothes, lying in a manger. They had direction and purpose. As writers we too must figure out what we are looking for. Is it publication? Writing a bestseller? Sharing information about a cause regardless of the pay? Making a living as a freelancer? Writing a memoir for family members? Whatever your goal is doesn't matter. But if we don't, figure out a goal, we end up frustrated and lost because we have no direction.
3. Be people of action
The shepherds did not sit around and talk about how great it would be if they went to find the baby. They got up and did it. I come across so many people who talk about wanting to write, but that is as far as they get-talking about it. Being a writer means you have to do one thing and that is write. Whether you set aside 30 minutes a day or few hours a day it doesn't matter, you just have to take action and put pen to paper or fingers to keyboard.
Do you know what you are looking for with your writing?
.
Monday, December 19, 2011
Happy Anniversary, A Christmas Carol
Post by JennyIn the car last week, after hearing “It’s the Most Wonderful Time of the Year” for the umpteenth time, my younger son asked me who would tell “scary ghost stories” at Christmas. The only example that came to my mind was A Christmas Carol. A few nights later, when we watched the recent performance-capture animation version starring Jim Carrey, my point was proven as the ghost of Marley rattled his chains and gave Scrooge the fright of his miserable life. The movie has its share of wonderfully creepy moments, which prompted my sons to proclaim it to be “a little dark.”
Well, it is a ghost story, after all. As Dickens wrote in the preface: “I have endeavoured in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it.”
Dickens began writing A Christmas Carol in October of 1843. He took six weeks to finish it, and, after a few production disagreements about endpapers and bindings, the novella was released on December 19 of that year. (I think the guy was definite NaNoWriMo material.) The book was an immediate success, so much so that even the Americans, whom Dickens had alienated with some of his earlier work, fell under its spell. In the many years since, A Christmas Carol has inspired a host of adaptations for film, stage, TV, and print, including opera, graphic novels, more versions starring animals than I care to count, and most likely the story of another, much greener, holiday curmudgeon who sees the error of his ways (The Grinch, of course).
Though Dickens went on to write four more Christmas novellas, none achieved the popular and critical success of his first. I’m no Dickensian scholar, so I won’t delve into the particulars of the author’s life or the zeitgeist of Victorian England and its parallels in today’s society. I just appreciate the story for its most basic messages: Be generous. Be kind. Be grateful for friends and family. Celebrate. And if your front door knocker gives you a piece of its mind, prepare for a very restless night.
Do you have a favorite adaptation of A Christmas Carol?
Saturday, December 17, 2011
The Haunting
Guest Post by Dean K. Miller
It was 1972. My family was visiting my grandparents who lived in the tiny lumber town of Coos Bay, OR. We were sitting in the second most forward pew of St. Monica’s Catholic Church. Inside the small stone building, the seating was half full, mostly young families like ours. We’d come to the “Folk Mass”, or as my Dad called it, “Hippie Mass.” Though similar in function of the typical Catholic Mass format, these services often had live performers who sang during the service.
Energized from the evening sun, the stained glass windows glinted in multitudes of color. The one nearest us radiated deep purples and blues into the sanctuary. Into this surreal setting stepped a young man, an acoustic guitar slung across his chest. Taking his place just right of the altar, he waited until the priest at the lectern nodded his approval. Anticipating something religious in nature, my ears perked up when he began to play. A revered silence filled the air, a knowing that this moment was special. His crystalline voice rendered The Moody Blues song, Nights in White Satin, as unique as it was beautiful. With only his voice and the guitar, he captivated the entire congregation.
I’ve been haunted by that beautiful tune ever since. Those four minutes created a lasting scene of texture and passion that transcended time and place. I wasn’t “at church” during his performance, but rather somewhere inside of myself, which then took me beyond my immediate surroundings. Its periodic play on my IPOD triggers memories of not only sight and sound, but also of the collective mystic energy the performer created. It’s the longing for that surreal feeling which haunted my childhood.
Recently I’ve been called back to a manuscript I’d set aside five months ago. Characters passionate for resolution of action and scene reached across the void, slipping into my creative conscious. No longer intent on remaining silent, they beckon me to continue their unsettled lives, vowing not to quit until their story is complete. The voices from those pages speak of a mother and daughter taken from the physical world too soon. Their non-physical forms have transcended to a place I know, a place I visited as a young boy sitting in that small church on the Oregon Coast. They are there, waiting. I know their story, but don’t know how it ends. Only they do, and their unspoken words haunt my unfinished manuscript. I sit… and listen, ready to hear what they have to say.
.
It was 1972. My family was visiting my grandparents who lived in the tiny lumber town of Coos Bay, OR. We were sitting in the second most forward pew of St. Monica’s Catholic Church. Inside the small stone building, the seating was half full, mostly young families like ours. We’d come to the “Folk Mass”, or as my Dad called it, “Hippie Mass.” Though similar in function of the typical Catholic Mass format, these services often had live performers who sang during the service.
Energized from the evening sun, the stained glass windows glinted in multitudes of color. The one nearest us radiated deep purples and blues into the sanctuary. Into this surreal setting stepped a young man, an acoustic guitar slung across his chest. Taking his place just right of the altar, he waited until the priest at the lectern nodded his approval. Anticipating something religious in nature, my ears perked up when he began to play. A revered silence filled the air, a knowing that this moment was special. His crystalline voice rendered The Moody Blues song, Nights in White Satin, as unique as it was beautiful. With only his voice and the guitar, he captivated the entire congregation.
I’ve been haunted by that beautiful tune ever since. Those four minutes created a lasting scene of texture and passion that transcended time and place. I wasn’t “at church” during his performance, but rather somewhere inside of myself, which then took me beyond my immediate surroundings. Its periodic play on my IPOD triggers memories of not only sight and sound, but also of the collective mystic energy the performer created. It’s the longing for that surreal feeling which haunted my childhood.
Recently I’ve been called back to a manuscript I’d set aside five months ago. Characters passionate for resolution of action and scene reached across the void, slipping into my creative conscious. No longer intent on remaining silent, they beckon me to continue their unsettled lives, vowing not to quit until their story is complete. The voices from those pages speak of a mother and daughter taken from the physical world too soon. Their non-physical forms have transcended to a place I know, a place I visited as a young boy sitting in that small church on the Oregon Coast. They are there, waiting. I know their story, but don’t know how it ends. Only they do, and their unspoken words haunt my unfinished manuscript. I sit… and listen, ready to hear what they have to say.
.
Friday, December 16, 2011
Novel Writing vs. Short Story Writing
Post By Dylan
A Sophomore at Erie High School
As the end of the year is coming to a close and those of you who did NaNoWriMo are probably nearing the end of your books, I decided to tackle the subject of novel writing versus short story writing. Those of us who have written both know that these two mediums are completely different beasts.
I am personally more of a novel writer; that’s what I enjoy. I have more of a knack for it. Novels are longer-paced and require a lot of patience when writing. Versus short stories which are well…shorter, and they need a very gifted hand writing them in order to have a quality product at the end.
Short stories are jam-packed with ideas, and contain a ton of pay-offs for those ideas in a very short amount of time. With novels, the first third or so is used to bring all the problems to the forefront, then you have time for back story and after that you have the rest of the novel to find a resolution. Not so in short stories, where you have to bring everything to the front; have a climax where the problems are solved (or not) and tie everything up within a couple of pages.
Where short stories are harder to write in the sense of pacing and delivery, I feel plot is equally hard for a novel. Most writers can engage an audience and create a story for ten, thirty and even fifty pages, but can they keep that up for three hundred? This can be especially hard when writers not have a clear picture of the story in their head. My only suggestion is to keep on writing, and if you do, you are most likely to write yourself out of any corners.
While both types of writing are hard in their own way I think it is great to experience both types of writing. So novel writers, if you have an idea for a short story, go write it. Short story writers, if you have an idea that can be fleshed out into an entire novel, challenge yourself. I think all of us could really learn from stretching our imagination into a different type of medium.
Now, which do you like more: short stories or novels? Which do you think is harder to write?
.
A Sophomore at Erie High School
As the end of the year is coming to a close and those of you who did NaNoWriMo are probably nearing the end of your books, I decided to tackle the subject of novel writing versus short story writing. Those of us who have written both know that these two mediums are completely different beasts.
I am personally more of a novel writer; that’s what I enjoy. I have more of a knack for it. Novels are longer-paced and require a lot of patience when writing. Versus short stories which are well…shorter, and they need a very gifted hand writing them in order to have a quality product at the end.
Short stories are jam-packed with ideas, and contain a ton of pay-offs for those ideas in a very short amount of time. With novels, the first third or so is used to bring all the problems to the forefront, then you have time for back story and after that you have the rest of the novel to find a resolution. Not so in short stories, where you have to bring everything to the front; have a climax where the problems are solved (or not) and tie everything up within a couple of pages.
Where short stories are harder to write in the sense of pacing and delivery, I feel plot is equally hard for a novel. Most writers can engage an audience and create a story for ten, thirty and even fifty pages, but can they keep that up for three hundred? This can be especially hard when writers not have a clear picture of the story in their head. My only suggestion is to keep on writing, and if you do, you are most likely to write yourself out of any corners.
While both types of writing are hard in their own way I think it is great to experience both types of writing. So novel writers, if you have an idea for a short story, go write it. Short story writers, if you have an idea that can be fleshed out into an entire novel, challenge yourself. I think all of us could really learn from stretching our imagination into a different type of medium.
Now, which do you like more: short stories or novels? Which do you think is harder to write?
.
Wednesday, December 14, 2011
Your Writing Bucket List
Post by Kerrie

In the September 2011 issue of Writers Digest, there is an article by Elizabeth Sims on "10 Things For Every Writer's Bucket List." I enjoyed this short piece because it pushed me to think of my own writing life; both past and future.
Here is the basic list:
1. Publish a short story
2. Go to a writing conference
3. Freelance for money
4. Visit City Lights Bookstore In San Francisco
5. Write + publish an essay
6. Take a writing retreat
7. Write a Novel
8. Go to BEA (Book Expo of America)
9. Read Shakespeare
10. **Your choice
I like this list because I agree with many of the items on it and it made me consider some new ones. If a writer did everything on this list, I believe he/she would be a very well-rounded and versatile writer.
I have done 5 out of the 9 (since #10 is a fill-in-the-blank) on the list:

In the September 2011 issue of Writers Digest, there is an article by Elizabeth Sims on "10 Things For Every Writer's Bucket List." I enjoyed this short piece because it pushed me to think of my own writing life; both past and future.
Here is the basic list:
1. Publish a short story
2. Go to a writing conference
3. Freelance for money
4. Visit City Lights Bookstore In San Francisco
5. Write + publish an essay
6. Take a writing retreat
7. Write a Novel
8. Go to BEA (Book Expo of America)
9. Read Shakespeare
10. **Your choice
I like this list because I agree with many of the items on it and it made me consider some new ones. If a writer did everything on this list, I believe he/she would be a very well-rounded and versatile writer.
I have done 5 out of the 9 (since #10 is a fill-in-the-blank) on the list:
- #2-I have gone to quite a few writers conferences and now even host my own. They are something I believe every writer should attend at least every couple of years. They help to keep current on what is happening in the industry if nothing else.
- #3-Freelancing for money is something I have done for over a decade and really enjoy it. Learning how to craft a good article is a valuable skill for all writers and getting paid for it makes it even better.
- #5-I love writing essays and am grateful that about a dozen of mine have been published.
- #6-A writing retreat is a great way to recharge your creative energy and get a lot of writing done. I host one every year, so I get to participate each year as well.
- #8-BEA, Book Expo Of America is an incredible annual event that I had the privilege to attend back in 2010 and wrote a post about it. It you ever get a chance to attend, I would highly recommend it.
As for the other 4 on the list that I have not done, the reading Shakespeare is probably at the bottom for me. I took a class on it in high school and it did not go well, so I have never been inspired to read his books again. But maybe it is time give William another try.
I have never heard of City Lights bookstore, but I am now intrigued and wonder what makes it so amazing. As for writing AND publishing a short story, that has been on my list for a few years. I have stories written, but nothing published yet, but that won't stop me from trying.
And the last one: write a novel. This is something I would like to do before I die. When will that happen? Not sure. Ideas are percolating, but that is as far as they have gotten.
My #10? I would say, publish a nonfiction book. I have many ideas in this arena and plan to make something happen soon.
Have you done any of the things on this bucket list? What is your #10?
.
Monday, December 12, 2011
Prioritization
Recently, my older son came downstairs wearing the long face of a middle-schooler with Saturday homework. “I have stuff to do for school,” he said, “but I don’t know where to start.” I wished I could tell him to forget about it, to kick back and enjoy being a kid because (in my eyes) his childhood is passing at a rate that would alarm even Stephen Hawking. Instead, I suggested that he eat a small piece of chocolate (because chocolate makes everything better, even homework) and prioritize his workload.
Upon further reflection, I realized that I should heed my own advice, for I am sorely in need of my own prioritization. I often feel that I am looking through a kaleidoscope at the jumbled-up collection of all the things I want and/or need to be doing. I know that some of those bright little bits are really worth pursuing, especially where my writing is concerned, but it can be hard to separate them from the rest of the sparkly mess. So I turned to Google, searched “tools for prioritization,” and ended up at this article at MindTools.
From the article: “Prioritization…is a skill that you need to create calmness and space in your life so that you can focus your energy and attention on the things that really matter. It is particularly important when time is limited and demands are seemingly unlimited.” If this does not apply to you, please toast your good fortune with a Mai Tai as you relax on your private beach.
The article goes on to offer a collection of Prioritization Tools, including Paired Comparison Analysis, Grid Analysis, The Action Priority Matrix, The Urgent/Important Matrix, The Ansoff Matrix and the Boston Matrices, Pareto Analysis, and Nominal Group Technique. I’m sure all these methods are great, but even trying to figure out which matrix would best suit me gave me an ache in my very non-analytical head. Just give me the one with Keanu Reeves, and we’ll call it good.
Instead, my chosen tool for prioritization in the coming year is the 2012 Writing Planner, created by Kerrie Flanagan and illustrated by April J. Moore. More than a calendar, the book is a “tool that provides you an opportunity to set goals, organize your schedule and your writing, and keep writing a main focus in your life.” I need help with all of those things, and I’m looking forward to using the planner to keep me on track. And thank goodness it isn’t called the Flanagan-Moore Matrix.Do you have a helpful tool for prioritization?
Saturday, December 10, 2011
Breathe
Guest Post by Dean K. Miller
I’ve carried my writing dreams as long as I can remember. They took a serious dent when I received some much needed, and brutally honest, criticism of a sample of my work. Prior to sending it out, I was thinking chapbook, gift book, or simply just paperback best seller. The return pages told a different story; so much red ink lined the pages it looked like the blood spattered walls of a desolate cabin in a slasher movie.
Fate smiled a short time later when, on a cold December morning, I stumbled upon the Northern Colorado Writer’s studio. That chance encounter changed the scope and direction of my writing path more than anything since the early 1980’s and my last community college level creative writing course.
Before long, I was attending NCW classes, learning how to blog, rounding up a new critique group and blazing my fingers across whatever keyboard I could find. With only one published article to my credit, it seemed piece number two was mere moments away. I could feel it.
Without much thought, three blogs, one book, two articles and 18 other fabulous ideas squeezed every nanosecond from my dwindling free time. I was never happier. Meeting 11 monthly deadlines engulfed my days and drove me to write. New ideas replaced half-finished first drafts and multiple flash drives did little to organize my collection of ill conceived storylines.
Then it happened; I began to suffocate under my self-imposed burden to produce more (which I mistakenly interpreted as a path to success.) Soon, a missed deadline or two didn’t matter. Shouldering my writer’s bag to and from the car was a close as I got to writing. I was acting like a writer, instead of focusing on becoming a writer. Something had to change.
Thankfully, with encouragement from a mentor and friend, I found the courage to let go. The book was shelved, the blogs came to an immediate halt, and I rediscovered my writing breath, simply because I chose to live outside my writing.
Is your writing allowing you to breathe freely, or is it time to un-cinch the noose you’ve hung around your neck?
.
I’ve carried my writing dreams as long as I can remember. They took a serious dent when I received some much needed, and brutally honest, criticism of a sample of my work. Prior to sending it out, I was thinking chapbook, gift book, or simply just paperback best seller. The return pages told a different story; so much red ink lined the pages it looked like the blood spattered walls of a desolate cabin in a slasher movie.
Fate smiled a short time later when, on a cold December morning, I stumbled upon the Northern Colorado Writer’s studio. That chance encounter changed the scope and direction of my writing path more than anything since the early 1980’s and my last community college level creative writing course.
Before long, I was attending NCW classes, learning how to blog, rounding up a new critique group and blazing my fingers across whatever keyboard I could find. With only one published article to my credit, it seemed piece number two was mere moments away. I could feel it.
Without much thought, three blogs, one book, two articles and 18 other fabulous ideas squeezed every nanosecond from my dwindling free time. I was never happier. Meeting 11 monthly deadlines engulfed my days and drove me to write. New ideas replaced half-finished first drafts and multiple flash drives did little to organize my collection of ill conceived storylines.
Then it happened; I began to suffocate under my self-imposed burden to produce more (which I mistakenly interpreted as a path to success.) Soon, a missed deadline or two didn’t matter. Shouldering my writer’s bag to and from the car was a close as I got to writing. I was acting like a writer, instead of focusing on becoming a writer. Something had to change.
Thankfully, with encouragement from a mentor and friend, I found the courage to let go. The book was shelved, the blogs came to an immediate halt, and I rediscovered my writing breath, simply because I chose to live outside my writing.
Is your writing allowing you to breathe freely, or is it time to un-cinch the noose you’ve hung around your neck?
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Friday, December 9, 2011
New Wave in Writing-Fan Fiction
Post By Laney

Instead of writing letters or emailing the author, my generation has a new way of showing how much they enjoyed a book. This new wave is called Fan-Fiction. Simply put, Fan-Fiction is a new story, using the world or characters from a published book. Some Fan-Fictions pick up the story from the ending and continue writing it. Others may include snippets of a characters life we didn't get to see in the book, or may even introduce new characters into that book's world.
Fan-Fiction has become a major phenomenon in the past few years.There are now various websites where Fan-Fiction may be posted and read by other lovers of this new genre. One of the most popular websites is http://www.fanfiction.net/. This website is filled with thousands of Fan-Fictions.
Fan-Fiction isn't just a way to show your appreciation for a book, but it can also be a great writing exercise. If you already have the characters and world created for you, all you have to do is come up with a fabulous plot. It's a way to get your brain working with story line, instead of focusing on character development and setting.
So if you hit a huge wall of writers block, maybe try picking up your favorite book and taking an hour to write a Fan-Fiction. You could even post it online if your proud of it.

Instead of writing letters or emailing the author, my generation has a new way of showing how much they enjoyed a book. This new wave is called Fan-Fiction. Simply put, Fan-Fiction is a new story, using the world or characters from a published book. Some Fan-Fictions pick up the story from the ending and continue writing it. Others may include snippets of a characters life we didn't get to see in the book, or may even introduce new characters into that book's world.
Fan-Fiction has become a major phenomenon in the past few years.There are now various websites where Fan-Fiction may be posted and read by other lovers of this new genre. One of the most popular websites is http://www.fanfiction.net/. This website is filled with thousands of Fan-Fictions.
As I looked through the website, I discovered that the more popular the book is the more Fan-Fictions it will have. Books like Twilight and the Hunger Games each have thousands of fan-made stories. But even smaller stories have a collection written by their most loyal fans. Sometimes you may have to dig through the thousands of stories before you find one that is a beautiful piece of writing, but it is usually worth it.
Most stories are not written by authors, or even those who like to write. But I think Fan-Fiction is a great way to show your love and understanding of a book and a way to show authors you cared about the hard work they put into their books.
Most stories are not written by authors, or even those who like to write. But I think Fan-Fiction is a great way to show your love and understanding of a book and a way to show authors you cared about the hard work they put into their books.
Fan-Fiction isn't just a way to show your appreciation for a book, but it can also be a great writing exercise. If you already have the characters and world created for you, all you have to do is come up with a fabulous plot. It's a way to get your brain working with story line, instead of focusing on character development and setting.So if you hit a huge wall of writers block, maybe try picking up your favorite book and taking an hour to write a Fan-Fiction. You could even post it online if your proud of it.
Have you ever written or read any Fan Fiction?
Wednesday, December 7, 2011
When Bad Writing Gets Published
Post by Kerrie
We have all had the experience where we read a book, an article, a short story… and we say to ourselves, “I can write better than that.” And we wonder why that got published when all we have is a stack of rejection letters.
Why does bad writing get published? Because what makes writing good or bad is completely subjective. It all someone’s opinion and that is where the challenge lies in getting published. Stephanie Meyer is not the best writer in the world, and many critiques were quick to point that out. But, whether or not her writing was good or bad is pointless to argue. The Twilight series clearly resonated with teenage girls across the country and they loved the story.
But, not all is lost if we find ourselves reading something we feel a 5th grader could have done a better job writing. We can use these “bad” writing examples as tools to help us grow as writers. Instead of just throwing the piece aside, study it. Why did you think it was bad? What would you have done differently? Then you can even take it a step further and rewrite parts of it.
One of my favorite “bad” books is the bestselling novel, “The Bridges of Madison County.” How it got to be a bestseller is beyond me, but that is just my opinion. Many others obviously felt different about it.
Here is an excerpt from the book:
Kincaid wore faded Levi’s, well-used Red Wing field boots, a khaki shirt, and orange suspenders. On his wide leather belt was fastened a Swiss Army knife in its own case. He looked at his watch: eight-seventeen. The truck started on the second try, and he backed out, shifted gears, and moved slowly down the alley under hazy sun. Through the streets of Bellingham he went, heading south on Washington 11, running along the coast of Puget Sound for a few miles, then following the highway as it swung east a little before meeting U.S. Route 20.
Turning into the sun, he began the long, winding drive through the Cascades. He liked this country and felt unpressed, stopping now and then to make notes about interesting possibilities for future expeditions or to shoot what he called “memory snapshots.” …
This description and telling goes on for pages and pages. In fact, it goes on throughout the whole book, which is the main reason I don’t like it. I am not one for drawn out descriptions. I don’t really care that his Swiss Army knife had its own case and I really don’t care that he went south on Washington 11 or any of the other roads.
If I was to rewrite it, I would cut a bunch out. Here is what I would say:
Kincaid tossed his knapsack on the seat next to him of his Chevy pickup. A quick scan of the cab reassured him he had everything he needed for his trip from Bellingham to Duluth. The truck started on the second try and he headed down the alley under the hazy morning sun.
Bam! Right to the point and we get him on the road in a few sentences. (Some of the details I included were from some previous paragraphs in the book) My rewritten version isn’t amazing, but at least it isn’t laden with description. But by looking at what I didn’t like, I was able to discern what I felt was the important information, disregard the rest and really think about what goes into good writing.
So how about you, have you ever studied bad writing?
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We have all had the experience where we read a book, an article, a short story… and we say to ourselves, “I can write better than that.” And we wonder why that got published when all we have is a stack of rejection letters.
Why does bad writing get published? Because what makes writing good or bad is completely subjective. It all someone’s opinion and that is where the challenge lies in getting published. Stephanie Meyer is not the best writer in the world, and many critiques were quick to point that out. But, whether or not her writing was good or bad is pointless to argue. The Twilight series clearly resonated with teenage girls across the country and they loved the story.
But, not all is lost if we find ourselves reading something we feel a 5th grader could have done a better job writing. We can use these “bad” writing examples as tools to help us grow as writers. Instead of just throwing the piece aside, study it. Why did you think it was bad? What would you have done differently? Then you can even take it a step further and rewrite parts of it.
One of my favorite “bad” books is the bestselling novel, “The Bridges of Madison County.” How it got to be a bestseller is beyond me, but that is just my opinion. Many others obviously felt different about it.
Here is an excerpt from the book:
Kincaid wore faded Levi’s, well-used Red Wing field boots, a khaki shirt, and orange suspenders. On his wide leather belt was fastened a Swiss Army knife in its own case. He looked at his watch: eight-seventeen. The truck started on the second try, and he backed out, shifted gears, and moved slowly down the alley under hazy sun. Through the streets of Bellingham he went, heading south on Washington 11, running along the coast of Puget Sound for a few miles, then following the highway as it swung east a little before meeting U.S. Route 20.
Turning into the sun, he began the long, winding drive through the Cascades. He liked this country and felt unpressed, stopping now and then to make notes about interesting possibilities for future expeditions or to shoot what he called “memory snapshots.” …
This description and telling goes on for pages and pages. In fact, it goes on throughout the whole book, which is the main reason I don’t like it. I am not one for drawn out descriptions. I don’t really care that his Swiss Army knife had its own case and I really don’t care that he went south on Washington 11 or any of the other roads.
If I was to rewrite it, I would cut a bunch out. Here is what I would say:
Kincaid tossed his knapsack on the seat next to him of his Chevy pickup. A quick scan of the cab reassured him he had everything he needed for his trip from Bellingham to Duluth. The truck started on the second try and he headed down the alley under the hazy morning sun.
Bam! Right to the point and we get him on the road in a few sentences. (Some of the details I included were from some previous paragraphs in the book) My rewritten version isn’t amazing, but at least it isn’t laden with description. But by looking at what I didn’t like, I was able to discern what I felt was the important information, disregard the rest and really think about what goes into good writing.
So how about you, have you ever studied bad writing?
.
Monday, December 5, 2011
Monday Rerun: Turtle Power
Wow, is it December already? I hoped the holiday blog fairy would bring me a new post for today, but no such luck. So, here’s a rerun from last year. (And yes, my son still gives me turtles.)
My younger son recently decided that I should collect turtles, and he should be the one to give them to me. The third I received from him is a stone pendant he found at one of our favorite local nature shops. The other day when I put it on, I realized that turtles and writers share some important traits:
We’re patient with a less-than-speedy pace. Writing can be slow. Revising can be slow. Editing can be slow. When the polishing is finally done, the submission process can be the slowest part of all. Thanks to email, some industry folks are quite quick these days—I once received a “no thank you” to an electronic query in the time it took for me to grab a ‘congratulations-I-sent-it’ cookie (which then became a consolation cookie). But many others still take weeks, if not months, to reply, which can test the most steadfast resolve.
We’re persistent. I’ve read that the jaws of snapping turtles sometimes don’t unlock even after death. Although this does evoke the unsettling image of me sitting at my desk in full rigor mortis with a copy of The Writer’s Market clamped in my hands, writers are well-served by that kind of persistence. Grab onto your dream, and don’t let go for anything.
We have thick shells. Even the personal, encouraging rejections sting a little. And the others…well, if you’ve been there, you know what I mean. A hard carapace is very useful for ego protection.
Turtles have been on this planet for 230 million years—ages longer than Euripides, Shakespeare, and Ray Bradbury combined. As one might expect from such ancient residents, turtles and tortoises figure prominently in myth and folklore from all over the world. They are generally seen as creatures of endurance, strength, longevity, fertility, wisdom, and perseverance. These are all qualities I gladly embrace as a writer.
I do have days when I wish my career would leap, hare-like, from the starting line. But for now, I’ll just keep moving steadily forward. And if I take some chances by sticking my neck out from time to time, I may find I was closer to my goal than I thought.
As a writer, are you a turtle or a bunny?
Friday, December 2, 2011
Reflection About On Writing
Post By Dylan
There are two things you need to know about On Writing by Stephen King and the book study that Kerrie Flanagan teaches at Northern Colorado Writers studio:
1. On Writing is amazing and a "must have" if you are a serious writer.
2. If you can, you need to take the On Writing Book Study offered at NCW, it is life-changing.
On Writing is a novel by Stephen King that is part autobiography and part writing advice. By itself this novel is a must-read for any writer, but with Kerrie Flanagan’s class it becomes an eye-opening experience that will completely change the way you write. It not only helped me discuss parts in the book that were pivotal it also allowed me to meet an exceptional cast of fellow writers.
Over the course of this four week class I really felt myself grow as a person and writer. That first night every single one of us was silent and Kerrie had to coax us out of our shells in order to talk. On the fourth and final gathering we were all freely speaking and going through our assignments, giving critique and advice.
While the class was superb, simply reading the book was a great experience. It combined great examples given by King that were accessible along with helpful advice on components like: dialogue, description and perseverance. There was also a section in the novel called “The Toolbox” which I found very insightful and involved the different pieces of the craft that are needed to write well. As I said above this book is a must-read and and the good thing is, it is not expensive. I bought my own copy at a used book store for $6.
Dylan is a sophomore at Erie High School.
.
There are two things you need to know about On Writing by Stephen King and the book study that Kerrie Flanagan teaches at Northern Colorado Writers studio:1. On Writing is amazing and a "must have" if you are a serious writer.
2. If you can, you need to take the On Writing Book Study offered at NCW, it is life-changing.
On Writing is a novel by Stephen King that is part autobiography and part writing advice. By itself this novel is a must-read for any writer, but with Kerrie Flanagan’s class it becomes an eye-opening experience that will completely change the way you write. It not only helped me discuss parts in the book that were pivotal it also allowed me to meet an exceptional cast of fellow writers.
Over the course of this four week class I really felt myself grow as a person and writer. That first night every single one of us was silent and Kerrie had to coax us out of our shells in order to talk. On the fourth and final gathering we were all freely speaking and going through our assignments, giving critique and advice.
While the class was superb, simply reading the book was a great experience. It combined great examples given by King that were accessible along with helpful advice on components like: dialogue, description and perseverance. There was also a section in the novel called “The Toolbox” which I found very insightful and involved the different pieces of the craft that are needed to write well. As I said above this book is a must-read and and the good thing is, it is not expensive. I bought my own copy at a used book store for $6.
If you want to have your eyes opened like never before you should first check out On Writing and then secondly check out Kerrie’s class because it will be the most important six hours of your writing career.
Have you read On Writing? What did you think about it?
Dylan is a sophomore at Erie High School.
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