Wednesday, March 30, 2011

Writing Platform: What Is It and How to Establish One

Today's guest blogger is children's author & freelance writer  Linda Osmundson. Linda and I have been in the same critique group for over 15 years so I consider her not only a wonderful writer, but a great friend as well. She has published many articles and her first children's book, How The West Was Drawn, was released in February and she has already signed a contract for another book.
~Kerrie
I attended a presentation by author and radio personality  Dom Testa at Author U in Denver. The title related to an author being a “black hole.” Yes, like in the universe – gravity pulls toward a black hole. The talk was actually about platform.



 I thought platform was the experience necessary to build yourself up as a speaker/expert on a writing subject - what makes you able to write what you write. In my case  - teaching writing classes, docent experience, a former teacher, knowledgeable on my subject of Charles Russell, all contribute to my writing How the West Was Drawn: Cowboy Charlie’s Art.
He described platform as the "black hole" that pulls in people interested in your passion. They gravitate to you! A one sentence that creates interest in your passion - like his is teaching kids that "Smart is Cool". He then talks about what makes "Smart is Cool" and much later says, "By the way I have a book……" 

He feels the platform is aside from your book. The book is just the plus of your passion. LeAnn Thieman talks about balancing one’s life then sells her book on that subject at the back of the room. Other authors do the same. He named several people present who’s speaking/writing/selling of books created six figure incomes. Create enough interest in the speech that people definitely want your book. Don't give it all away, just tantalize them.

Let me try to explain it better. There are five points to a platform. Yes, he worked in schools for years before writing his YA novels that stress without saying “Smart is Cool”. He saw the kids dumb down in order to be accepted as cool. That experience is like mine many years of teaching techniques for looking at art and giving docent tours in art museums. But, platform is the message you want to get out there. Mine could be "Looking isn't Seeing" as a slogan with the passion being to interest children in art and how to look at art and appreciate it. And, a sideline might be to teach other subjects by using art or books.
His five steps are:

1. Create value
- give something tangible in return.

2. Provide something that is interesting to many people - how many people are interested in your product and can use it? He gave examples of author's wanting to appear on his show who are very passionate about subjects that don’t have broad appeal. They will have a hard time with their platform. He used his Big Brain Club as an example of something that did have broad appeal. It has nothing to do with his book except that the books teach "Smart is Cool" and kids don't realize he teaches them that as they read. I guess I give something tangible in that they learn how to look at art and take away those tools for future viewing.

3. After the Presentation - the presentation stays with them as something they grew from and want to use. Or, want to hear him speak again as I did. It drew me in enough to travel to Denver to hear him again. Make someone want to follow you.

4. Connection to writing - best with non-fiction but can be with fiction also. His books are fiction, I believe. His books help kids become the best they can be.

5. Passion - be passionate about something – Children's author, Ellen Javernick is passionate about teaching spelling and reading techniques and teaching period. I'm passionate about art and getting people to look. LeAnn is passionate about spirituality.

Your platform is the spark that creates an interest in your passion, not an interest in your book. It is a hook, just like in writing. Give take-aways like in a Chicken Soup story or other writing. In our writer’s group, we always ask “What is the take-away?” Tantalize just enough that they want more. He gave an example of TED, and their global conferences. I have to look them up. They gave free advice on their website. Someone said if they give it away, no one will want to come to their very expensive conferences ($6000). The conferences sell out every time because people want more.

He suggests putting video on your website. Told how inexpensive you could do it. He suggested using iTunes downloads of your presentations. Imbed a video in YouTube. Post a video on Facebook or other social media. Use professional brochures. Design a business card with information on website, blog, etc, and the book info on the back. Pass out well designed flyers and posters. Sometimes the publisher is willing to create and print them.

When you have a school visit, always send a book order form. He wants people to work the same amount they are on promoting, but get twice the results. He listed about 12 opportunities for presentations he received in a month. He didn’t solicit them; they came to him by word-of-mouth. Create that word-of-mouth - the ability to draw gravity to your "black hole". He kept saying, "And by the way, I wrote a book….." but it was after his platform drew in interested people. He says his radio personality is not known across the country, only in Colorado, so that doesn't bring in requests for presentations. It is his platform that draws people.

Check out goodreads.com. Get people to review your book on blogs. Expect some bad reviews. Get friends to review your book on amazon.com.

You must have a website and he suggested one for every platform you have. Perhaps, I should have a website on me, on teaching writing, and on art appreciation.

I hope this summary helps you create a platform for your writing.

Linda 


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Monday, March 28, 2011

Last Monday Book: The Accidents of Style

Post by Jenny

Recently, a friend and I were discussing teenage drivers and how soon we’ll be experiencing that adventure of parenting. Adventure…maybe that’s putting it mildly. There’s just no getting around the fact that there’s an awful lot to learn about driving before one can call oneself a driver.

The same can be said of writing. Even before a writer can craft a compelling story or article, he or she must have a good working knowledge of how to properly assemble a sentence. To do so, there are hundreds of rules that must be mastered. Writers can, and do, take creative license, but in general, incorrect grammar and spelling indicate sloppiness, laziness, and/ or ignorance. Any writer wanting to succeed in a tight market should avoid those pitfalls like the plague.

Thank goodness for The Accidents of Style: Good Advice on How Not to Write Badly, by Charles Harrington Elster. This fun book is “a meandering road trip along the hazardous highways of English usage…discussing 350 perilous points of interest along the way.” The journey begins with the more basic everyday blunders and continues through the “niceties that nettle the most practiced” writers. In short, it’s a course in how to become a “wreckless” writer.

The book begins with twenty sentences containing 101 common “accidents of style.” Anyone who can identify ninety or better is already a wreckless writer. (Sadly, I did not qualify.) After the pre-test, the trip begins. The first twenty stops are pretty basic—for instance: a lot, not alot (#4); it’s or its (#7); and there, their, and they’re (#11). I was surprised to find gasses or gases at #9. Is that really a common problem?

Moving on down the road, Mr. Elster warns against use of the trendy (“but, hey”), the redundant (“final decision,” “overexaggerate”), and the flat out wrong (“preventative,” “orientate”). He advises writers to be succinct (Don’t “make a decision.” Decide.) and to be careful with commas and apostrophes. Number 238 was one of my favorites, because it has long been a pet peeve of mine. Nauseous means causing nausea. Nauseated means sick to one’s stomach. Number 350—the last stop—explains the tricky who or whom.

The road trip ends with a post-test: 125 quotations from newspapers, magazines, books, and Google news sources. Yes, they all contain errors. No, I did not identify every one of them. But I improved, and I learned a lot (not alot) along the way.

Which grammar or spelling rules trip you up?

Friday, March 25, 2011

This Week in the Writing World...March 25


by Brooke Favero
In the wake of the Google Settlement, do you think the judge made the right decision and do you think we'll ever be able to have a national digital library? I'm sure eventually we'll get there, but I don't believe we can protect the work and authors currently.

Understanding Industry & Market
News Flash: Google Settlement Rejected @ Pub Rants.
Here Be Dragons (Rerun) @ Pimp My Novel.

Querying
Pet Peeves, etc. @ Dystel & Goderich Literary Management.
7 Ways to be Professional @ Rachelle Gardner.

Crafting
Free FtQ Chapter: Story as Garden @ Flogging the Quill.
Avoid the Empty Phrase Trap @ The Blood-Red Pencil.
Secret Recipe for a Novel @ Adventures in Children's Publishing.
Moving Your Plot Character by Character @ Fiction Lessons from My Reading.

New Agent

Laughs

Thursday, March 24, 2011

Do You Really Value Writing?

I know if I ask all of you writers if you value the written word, I'm 99% sure all of you, including me, would say, yes. But do your actions support that value? We can all say we value writing, but do we really?

On March 28, the New York Times is doing something, that I think should have been done a long time ago. They will not be giving away all their content for free. If you subscribe to the print version you have full access to their online content. If you are someone who enjoys reading the online content, but doesn't subscribe, you will get 20 articles per month for free and then need to pay for more.

Some say, we shouldn't have to pay for content. Others say people will go elsewhere because the Internet is saturated with news and information and the same info is available elsewhere. But is it really? Sure there is tons of content on the web, but is it all good and accurate?

So, back to my original question: do you value writing? If you do, then you should have no problem paying for good content whether that is online or in print. Because as a writer yourself, you know how much time goes into it and you want your work to be valued and appreciated.

We can even take this a step further by asking if you support writers and news outlets in your area? Do you show your support for authors by attending book signings and book events? Do you buy books from your local bookstores? Do you subscribe to your local or regional newspaper?

If we truly value writing, then as writers we should band together to support our colleagues in the industry. We should show people that writers deserve to get paid for their work and we should do this with not only our words, but with our actions.

Do you agree or disagree?

-

Monday, March 21, 2011

Gateway Books

Post by Jenny

In the week since the NCW Conference, I’ve been mulling over a conversation I had with presenter and local author Justin Matott. As we both have two sons, his older than mine, we discussed boys and books—what boys like to read, what boys don’t like to read, what to do about reluctant readers, and the pleasure parents feel when our kids have their reading-breakthrough moment. Justin mentioned that young readers often have a “gateway book”—the book that gets them hooked on reading.

I’m so grateful that both my tween-age sons like to read. My older boy took to reading like a fish to water, so perhaps his gateway book was one of the well-loved picture books we read together over and over. But at the end of second grade, he discovered the Hardy Boys Mysteries. That’s right—the original series with the blue covers, penned by a team of writers known as Franklin W. Dixon. I don’t know why my son was so taken by the somewhat dated adventures of the teenage sleuths (I remember him asking me “what’s a jalopy?”), but he read them, one after another, all summer long.

But my younger boy would tell me that reading was “boring.” This is a child who was born with a spring inside him, who is happier on a trampoline than almost anywhere else on earth. Compared to that, reading was too passive. As he got older, he gravitated toward non-fiction books about animals, about space, about rocks and minerals, books filled with facts and photographs. He learned a lot—and so did I—but I still wondered when and if he would catch his brother’s chapter book fever. He loved it when I read the Harry Potter series to him, but he didn’t want to tackle it on his own. I’d get suggestions from other moms, bring home options from the library, but no chapter books really hooked him—until last year, when, at his brother’s urging, he began reading the Ranger’s Apprentice series by John Flanagan. (I’m so glad that agent Joe Monti recommended this series to me at last year’s NCW conference.)

Like so many of you, I have always loved to read. As a girl, I read fairy tales, Agatha Christie, Ray Bradbury, Edgar Allen Poe, Judy Blume. Louise Fitzhugh’s Harriet the Spy was an early favorite, as was Wilson Rawls’s heartbreaking Where the Red Fern Grows. But I suspect that, as is the case with many women my age, my gateway book was Little House on the Prairie.

Do you remember your gateway book? How about your son’s or daughter’s?

Friday, March 18, 2011

This Week in the Writing World...March 18

by Brooke Favero
Kerrie and her team out did themselves this year. The NCW Conference was fabulous. I learned a ton, met a lot of great people, and even learned some great breathing techniques.

Did you go? What was your favorite thing from the conference?

I loved mingling with the agents and presenters at lunch and dinner. Kelly Sonnack did a mini session over lunch. I know everyone at our table appreciated her insider perspective.

NCW Conference Recap
I'm Ready to Seize the Day! @ Patricia Stoltey.
Gaining Marketing Smarts @ Fiction Lessons from My Reading.
Top 10 Conference Take-Aways @ The Writing Bug.

Understanding Industry and Market
The Library Debate @ Dystel & Goderich Literary.
It's Not Always Good to Share @ Dystel & Goderich Literary.

Querying
How I Got My Agent: Lisa & Laura Roecker @ Guide to Literary Agents.
Do I Need an Agent? @ Editorial Anonymous.

Crafting
The Art of Chaptering @ The Blood-Red Pencil.

New Agent

Laughs

Monday, March 14, 2011

Top 10 Conference Take-Aways

Post by Jenny

In this world of rapid depreciation and instant obsolescence, it’s good to know that some things get better year after year. Wine (though in all honesty, I don’t have the palate to know the difference.) 30Rock. Gluten-free baked goods. And the Northern Colorado Writers Conference.

I had a great time there this weekend, rubbing elbows with other writers and channeling my inner flight attendant (just call me ‘the short one’). Because I haven’t shaken my penchant for top ten lists, I’d like to share my Top 10 Conference Take-Aways (in chronological order):

1. Agents Michael Ebeling and Kristina Holmes: An effective platform lifts you above your competition in a saturated market. Don’t be afraid of that ‘P’ word. Also: agents are the kidneys/livers of the publishing industry—they filter out the crap. (Loved that analogy.)

2. Author Carol Berg: Persona voice is not just dialect and dialogue but also form, content, rhythm, nuance, and word choice.

3. Author Greg Campbell: Narrative nonfiction must be fact-based, accurate, and as character-driven as fiction. And defer to better judgment when practicing lock-picking.

4. Author/Radio Personality/Speaker Dom Testa: ‘Nerd’ is not a four-letter word (well, technically it is, but not in the pejorative sense…ack, I feel myself spinning off into a nerd tangent…) Own it, fellow nerds!

5. Editor Sarah J. Freese: It’s okay to write purely for the love of it. But keep submitting.

6. Author John Shors: Setting can be a compelling character. To create a sense of place, observe, absorb, and connect. Then edit. A lot.

7. Marketing pro Kalen Landow: Facebook is for connecting with people you know; Twitter is for connecting with people you want to know. But no one with any semblance of a life can ‘keep up’ with Twitter. (Whew!)

8. Agent Mike Nappa: Write for everyone and you’ll appeal to no one. The first line is the most important line. Be prepared and professional, because once the sh*t sticks to you, it’s hard to clean it off.

9. Agents Rachelle Gardner and Mike Nappa at the agent panel: Cut the preamble. Get to the story. (I did not submit pages this year, but kudos to everyone who did. It’s a big, nerve-wracking step.)

10. Author/Life Coach/Speaker Diane Sieg: By being quiet and empty, we allow ourselves to be invigorated and refueled.

That’s more than ten total, but there was so much great information to be had. If you were at the conference, I hope you left feeling inspired and ready to write. Please take a minute to share one or two of your favorite take-aways. And if you were not able to attend this year, it’s never too early to start planning for March 30-31, 2012. I know Kerrie is.

Friday, March 11, 2011

This Week in the Writing World...March 11

by Brooke Favero
My new favorite thing: The Morning News' Tournament of Books. It's a March Madness for book lovers. They picked 16 notable books from 2010 and created a bracket to determine which book will win the title of The Best Book of 2010. I'm rooting for Room, My Super Sad True Love Story and The Particular Sadness of Lemon Cake.

Did one of your favorite books from last year make the cut? What book do you think will win?

Understanding Industry & Market
Where's the Buzz? @ Chiseled in Rock.
She Speaks the Truth (about e-publishing) @ Dystel & Goderich Literary Management.
How Long Does It Take to Get Published? @ The Steve Laube Agency.

Querying
5 Ways Writers Kid Themselves @ Guide to Literary Agents.

Crafting
Free FtQ Chapter: Head-hopping @ Flogging the Quill.
A Writer's Tip: Paying Attention by Shutting it Off @ Adventures in Children's Publishing.

New Agent
Kristin Miller of D4EO Literary Agency @ Guide for Literary Agents.

Enjoy
Organizing the Bookshelves @ Janet Reid. (After watching this I realized, man, I'm a book geek. Because I immediately had the compulsive need to reorg my shelves by color.)
Comic: Blocked @ Writer Unboxed.

Monday, March 7, 2011

ICE Time

Post by Jenny

I had some great ICE time last week. As you may be aware, ‘ICE’ is an acronym for ‘In Case of Emergency.’ (Also Immigration and Customs Enforcement, Irate Customer Evaluation, Isoflavone Clover Extract, and many more.) I know I’m supposed to have an ICE contact listed in my cell phone. That way, should someone find me unconscious on the floor of a coffee shop after one too many espresso-ccinos (if that’s not a real coffee drink, it ought to be), he or she will know who to call. If and when I ever get around to it, my ICE contact will be my husband, of course, with perhaps ICE2 being any local establishment that can deliver hot soup.

But my ICE time was different. No, I didn’t join a women’s hockey league, though I’ve always thought that would be fun. My ICE time was for writing, not skating. Frustrated by the frequent encroachment of life’s many little obligations, I decided that I needed to set aside a few hours to just write. During this time, I would be available to the outside world only In Case of Emergency.

Before I began, I thought it prudent to define what would constitute an emergency. Obviously, fire, flood, plague, pestilence, or a call from the school nurse would require immediate attention. But how about a forgotten homework assignment, wallet, lunch, or project? Or a friend or family member needing assistance with something which may not be an emergency but important nonetheless? I decided that if such a situation arose, I would deal with it on a case-by-case basis.

At 9:30 in the morning, when the house was quiet, I sat down at my computer with my cup of green tea and my two squares of dark chocolate. At first, I felt restless, as if I should be doing other things. Laundry, for one. But everyone still had at least one pair each of clean socks and underwear, so that was not an emergency. Neither was my perpetual list of errands. No one would suffer if I skipped a trip to Target.

When I realized I had no real reason to wander off, I found myself tempted by computer diversions. Email. Blogs. Various internet timewasters, including twitter. But by no stretch of imagination were those pressing matters. (Please tell me there’s no such thing as a twitter emergency.) Other than answering one quick email from my husband, I did not succumb. After about fifteen minutes, I realized how great it felt to switch my focus from my external world to my internal one. I logged about three uninterrupted hours of writing time, and, even better, I was reminded of how much fun writing can be. I’ll be sure to schedule more ICE time for myself in weeks to come.

What helps you plan your writing time?

Friday, March 4, 2011

Best of the Blogs: Writing Conferences

by Brooke Favero
We're only one week away from the Northern Colorado Writers Conference. Happy dance. So I thought a best of the blogs would be appropriate. Plus, I just received my unofficial-ficial business cards in the mail today. This is something I didn't have last year and regretted. I collected several cards from other writers at the conference last year and it was a handy way of exchanging info without using a pen or scrap. Now business cards are not necessary, but way handy. So if you see me, come say hi and swap a card or a scrap.

What's your best tip for attending a writer's conference?

Conference Tips

Pitching

Thursday, March 3, 2011

Countdown to the Conference: Week 4



WEEK THREE PRIZE:  A copy of FORMATTING AND SUBMITTING YOUR MANUSCRIPT. To enter, leave a comment. Winners will be chosen on Tuesday. For another entry, visit the NCW Facebook page Friday through Tuesday and answer the Friday Question of the Week.  Congratulations to our winners for week 1-3: Brooke, Dean, Madeia and  Jenny

The Northern Colorado Writers Conference is only one week away! About 5 months ago, I sorted through all the presentation proposals that were sent to me. There were so many good ones it was hard to choose. But one of my goals when making my final decisions, was to have a lineup of sessions that crossed as many genres as possible or addressed various aspects of the business side of publishing.. I feel I accomplished that goal--hopefully you agree.

Here are the sessions being offered at the conference. See you at the conference!
~Kerrie

THESE FIRST SESSIONS LISTED ARE SOME THAT I FEEL CROSS GENRES. THE CONCEPTS BEING TAUGHT CAN ABSOLUTELY BE USED IN FICTION AND NONFICTION.

First 100 Words
Presenter:Sandi Ault

Looking for an agent, an editor, a publishing contract? Most agents and editors request the first 50 to 100 pages of a manuscript because they can tell—often in less time than it takes to read that—whether they are in the hands of a skillful writer, and whether or not they are intrigued enough to want to read more. Most agents confess that they usually know within the first few paragraphs. Let award-winning, bestselling author Sandi Ault show you how to pack a punch with your first 100 words that will woo the reader into turning the page and wanting more.

Creating a Sense of Place
Presenter: John Shors
The best books make the reader feel as if she or he is right beside the characters, whether in Rome or Rochester. Creating a sense of time and place is crucial for a novelist, and bestselling author John Shors will share his secrets on how to make locations come alive on the page.

How to Avoid Making Childish Mistakes When Writing for Children
Presenter: Kelly Sonnack
What are some of the mistakes writers make when writing for children, and how can you avoid them? What are the things that make editors and agents cringe and stop reading? Kelly will discuss the pitfalls to avoid when writing your children's book.

Evolution a Writer
Presenter: Tim Wiederaenders
Oklahoma City bomber Timothy McVeigh shook this country¹s foundations to their core on April 19, 1995.  Shortly thereafter, McVeigh¹s story and actions changed Tim Wiederaenders¹ life and career.  A newspaper editor, Wiederaenders¹ writing has evolved from short-and-to-the-point news reports to a non-fiction project.  Learn how writing can take on many different shapes, sizes and styles, depending on the information you are conveying and the audience you are writing for.

Turning Clichés on Their Heads:
Presenter: Lisa Zimmerman
One of my grad school teachers used to say that “clichés become clichés because they're true.” In this workshop we will explore dozens of clichés and write about them, perhaps returning some of them to their peculiar and humorous origins.

Unforgettable Characters
Presenter: Carol Berg
More and more readers are demanding believable, complex characters in genre, as well as literary fiction. Rich characters make a story take on a life of its own. What makes a character live on in a reader’s mind after the book is closed? (1) Name, physical description, and job description do not define a human being, especially not heroes, heroines, and villains. Learn techniques for inventing a person and how to give your characters an inner life that motivates their actions. (2) Reveal your characters to the reader through narrative, voice, and point-of-view, and learn how to use the developing story to expand your own understanding of your characters.

FICTION SESSIONS

Fairy Tale Characters and the Real World:
Presenter: Lisa Zimmerman
What if Rip Van Winkel woke up in a Starbucks and Snow White was the barista behind the counter? This workshop will allow us to stretch our imaginations in the most magical ways.

Goddess of Fiction
Presenter: Linda Berry
Linda uses 8 line drawings (flatline, bell curve, sine waves,  sunburst, spring, square, triangle, and outline)  to illustrate some of the basics of good storytelling:  choosing meaningful detail,  pacing the introduction of events and turning points,  weaving story lines together, brainstorming your way into fresh ideas,  incorporating  back story, fitting the pieces together, creating tension and conflict, and organizing the material.   Her big finish is combining the line drawings into an odd—but recognizable—figure of a woman she calls The Goddess of Good Fiction.

Flash Fiction
Presenter: Sara J. Freese
The workshop looked at current flash fiction that is selling, discussed flash fiction techniques, allowed for writing time, and offered writers various publication ideas for their current flash fiction.

NONFICTION SESSIONS

Getting Paid for Your Work
Presenter: Greg Campbell
Surviving as a freelancer or contract writer is harder than ever. This workshop will show you the nuts and bolts of how to make a living by being your own boss. Topics include: Making the switch from creative writer to being your own bookkeeper, administrative assistant and director of business development; maximizing your online presence to attract new work; how to pitch, how to invoice, how to collect; and finding work everywhere you look.

 Basics of Narrative NonFiction
Presenter: Greg Campbell
This workshop will serve as an introduction to the art and the elements of narrative nonfiction. Topics include: Using fictional devices to tell true stories; how to develop “characters” in your narrative with real life sources; structuring “plot” development; finding an omniscient voice; and when and how to use first person.

PUBLISHING BUSINESS

How To Build an Effective Platform
Presenter: Michael Ebeling & Kristina Holmes
With so much competition for reader's attention, you must have a strong platform to achieve solid book sales, whether you're a traditionally published, or self-published author.  As agents that have worked to develop authors' careers from the ground up, we know what it takes to develop a platform.  We will help you evaluate whether you're up to the challenge, and if you are, give you meaningful guidance, whether you're just starting out or already on your way to becoming publicly recognized.  This seminar is appropriate for aspiring and published authors focused on developing a career as an author

Book Promotion
Presenter: John Shors
Many authors would argue that writing a novel is the easy part of the process. The hard part is finding an audience for your book, and ensuring that readers come back to your work, time and time again. Bestselling author John Shors will share marketing strategies and insights destined to put your book on bestseller lists.

Killer Queries
Presenter: Sandi Ault
Award-winning, Bestselling author of the WILD Mystery Series, Sandi Ault, will show you the three tools you need to create a query that will sell your book. And she has the skills to back it up. Sandi's first query went to 31 agents as cold-queries. Thirty responded with a request for the manuscript, and Ms. Ault found herself in the enviable position of getting to interview and then select her agent from among these thirty. If you want to create a query that will work, this is the workshop for you.

From Pixels to Profit
Presenter: Brian Schwartz
If you’ve written a book or intend to, you simply can’t afford to ignore the fastest growing and highest profit market for your content – and that’s the Kindle, Nook, iPAD & iBookstore ebook marketplaces. This hands-on workshop will enable you to cash in on the exploding digital book market and get your book online in no time. Brian Schwartz,  will show how to convert your books to .mobi (Kindle) & .ePub (Nook & iPAD), setup accounts directly with the resellers – Amazon, Barnes & Noble, and Apple – so you get paid directly and troubleshoot the most common formatting issues such as: covers, margins, hyperlinked table of contents, page breaks, chapter headers & titles, picture alignment, eReader navigation, and file size. You will learn how to validate your conversion and insure they'll be accepted by the marketplaces, upload your eBooks directly to Amazon, Barnes & Noble, Google, Sony, and Apple and make revisions to your eBook and pull sales reports.

How to Make Self-Publishing a Successful Endeavor
Presenter: Justin Matott
Justin tells how his little book garnered a two-day auction with eight of the largest publishers in the world and began a career that has been a full time job for fourteen years. He’ll show how marketing and public awareness, events beyond signing, grass roots work and the Internet all play a vital part in selling your book.

The Changing Landscape of Book Promotion
Presenter: Kalen Landow
The Changing Landscape of Book Promotion As the book publishing landscape changes quickly and radically, the topic of "promotion" is a mine field  now more than ever before. What is encompassed in "book promotion"? Who is responsible for it? What are the tips and tricks for authors who have publishers? What about those authors who are going it alone? What role does social media play? How do we promote books in an increasingly crowded marketplace and a noisy media environment? Come with your questions and ideas and be prepared to leave with tools to strengthen your book promotion efforts.

Navigating Twitter
Presenter: Kalen Landow
Navigating Twitter: RTs, @replies, Fail Whales, hashtags, and more--what does it all mean? This Twitter 101 session will teach you the very basics of Twitter from how to set up your account, build a followers list, understanding just what the heck everyone is saying,  and how to become part of the conversation. Most importantly we'll talk about why writers should be part of the Twitter community at all. Bring your laptop, your iPad, or your smart phone and prepare to tweet along!

School Visits
Presenter: Justin Matott
Everything you need to know about setting up school visits.Quid Pro Quo - If your school visit is good for the school, it will be good for you.  Both gratifying and financially lucrative! How do you make your school events such a success that the staff will do your marketing job for you and recommend you into other school visit opportunities? Blending your imagination with school specified curriculum so everyone wins will ensure you get asked back and will become a school district favorite.

Writing Winning Entries
Presenter: Linda Berry
Offering work to an agent or  publisher is  much like entering a contest.  The better you understand the rules—written and unwritten—the more likely you are to succeed against your competition.  Linda uses the insights I've gained in helping judge different writing contests to highlight some common failings in submissions/entries.  You'll examine some contest rules and consider  the upsides (publication? feedback?) and downsides (stiff entry fee? loss of rights? ) that will help a writer decide whether or not to enter—essentially doing market research, as you would when approaching an agent or editor.

Breaking Through Publishing Myths
Presenter: Rachelle Gardner

We'll discuss common myths about the publishing business, and break through them to find the truth. Some of them include:
-A great idea is enough OR an extraordinary story is enough.
-You need to reach as wide an audience as possible.
-No news (from an editor or agent) is good news OR No news is bad news.
-Never give up. Persistence will pay off.
-It’s the publisher’s job to market your book.
-If you’ve completed your manuscript, there’s no need to write a book proposal.
-Getting a book contract means you’ll be getting a big paycheck.
-Your words are sacred, and it’s an insult if an editor wants to change them.
-All publishers know exactly what they’re looking for.
-Editors are scary people who love rejecting you.

Sh*t My Editor Says
Presenter: Mike Nappa
Find out the reasons why editors reject your book.

Getting the Story
Presenter: Tim Wiederaenders
Are you a writer or an investigator?  Actually, you're both. Getting the story in today's day and age can be as easy as the click of a mouse or as daunting as finding one memo in a mountain of legal files.  Tim Wiederaenders will give you direction on how to get the facts correct, accurate and straight for your writing project.  It all depends on your research techniques, technology, and a little bit of luck and determination.

Writing Winning Entries
Presenter: Linda Berry
Offering work to an agent or  publisher is  much like entering a contest.  The better you understand the rules—written and unwritten—the more likely you are to succeed against your competition.  Linda uses the insights I've gained in helping judge different writing contests to highlight some common failings in submissions/entries.  You'll examine some contest rules and consider  the upsides (publication? feedback?) and downsides (stiff entry fee? loss of rights? ) that will help a writer decide whether or not to enter—essentially doing market research, as you would when approaching an agent or editor.

What is This Thing Called Voice
Presenter: Carol Berg
Transform a character into a distinct, memorable individual by refining the character’s voice. Learn how an author can subordinate his or her own narrative voice to the persona of the point-of-view character, exposing the attitudes, beliefs, and intelligence unique to that character. Voice is created not only in dialog, but in narrative and description. Creating a vibrant, living voice incorporates everything from grammar and word choice to the character’s observations and emotional reactions. This workshop will involve brief writing exercises.

Back Matter Matters
Presenter: Natasha Wing
What do you do with all that information you found while researching your subject that didn’t make it into your manuscript? Turn it into effective back matter! Back matter (the information you find in the back of books after the main text) enhances your topic and your readers’ experience with your book. Adding back matter could also help sell your non-fiction and fiction manuscripts to editors, and your published book to librarians. This workshop will give an overview of different back matter uses with idea-generating examples, and a brainstorm session on ideas for your WIP.

Small Presses
Presenter: Sarah J. Fresse
This workshop would provide readers a look into small presses which are available for publication. Dzanc's Best of the Web anthologizes several great writers every year, and revealing to writers the options that are available to them may open their eyes to new avenues for publication.

CONFERENCE FAVORITES

Query Critiques
Presenters: Greg Campbell, Sandi Ault
Participants will submit a one page query (fiction or nonfiction) to be read aloud.  The panelists will then provide comments aloud for the audience to hear.

Agents & Editors Read the Slush Pile
This session allows participants to get an insiders peek at what an agent/editor is really thinking during the opening pages of a submitted novel. Think American Idol only for writers. A reader will read the pages aloud, and the agents/editors will provide honest feedback for all to hear. The author remains anonymous.


Which session sounds most intriguing to you?
Are you coming to the conference?